![]() (Note: Prior to discussing relationships take into consideration the backgrounds and histories of the individuals in your group.)Īlternatively, ask about favorite sweets and maybe even try out everyone’s favorite candy. Questions to get the conversation started: “What are some of your most memorable moments spent with your best friend?” or “Where did you first meet your spouse or partner?” Other complementary songs may include “Jingle Jangle”, “Sugartime” and “How Sweet It Is to Be Loved By You.”ĭiscussion: Encourage the group to discuss meaningful relationships, such as those with spouses or partners, close friends, and family. Theme: This song would fit well into a collection of love songs, songs about sugar and sweets, or other songs sung by The Archies. It can be used as a transition into group discussion, an opportunity for musical engagement, movement and more. This is a great song to use in a 1:1 setting or group and would go well with a collection of songs about sugar and sweets, songs about love, or other tunes from The Archies. Here are some of the lyrics (just try not to hum along!): This song was a great fit for the Archie Comic’s youthful cast, with the main characters forming a “garage band” starring Archie Andrews, Reggie Mantle, Jughead Jones, Veronica Lodge, and Betty Cooper. The tune not only fits the genre for its reference to a sweetheart as “sugar” and “honey,” but also because of the light sound and a sing-along chorus that was targeted towards adolescents. The song “Sugar, Sugar” appropriately belongs to the bubblegum pop genre that was popular in the late 60s. The Archies band was said to be inspired by the popular 60s show band The Monkees. Written by Jeff Barry and Andy Kim, this one-hit wonder was made for the virtual band, The Archies, to play on the Archie Comedy Hour on TV. Over time, it has become a well loved, lighthearted song that is easy to sing along with. “Sugar, Sugar,” is a bubblegum pop song written for the animated band, and it took the music charts by storm. The Archies were a fictional cartoon band formed from the characters featured in the animated show “The Archie Show” and in the comic strip Archie Comics. Themes: Love songs, Sugar and Sweets, and The Archies.What "Sugar, Sugar" offers is a complete escape from reality, sticky-sweet feel-good music so blatantly commercial and artificial it wasn't even attributed to three-dimensional performers - coming at a time when counterculture credibility meant seemingly everything, it would be almost tempting to call the Archies revolutionary if that didn't defeat the entire purpose of what they were all about. The song is the very essence of simplicity, a classically constructed pop record with an undeniably infectious melody and charmingly inane puppy-love lyrics nothing revelatory and nothing earth-shattering, which is precisely the point - as the "bubblegum" appellation suggests, it's total ear candy, and lord knows it struck a chord, selling over six million copies. Conceived by producer Don Kirshner following his firing by another pre-fab (albeit flesh-and-blood) group, the Monkees, and inspired by the long-running Archie comic book line and subsequent animated series, the cartoon band was in reality a group of session musicians including vocalists Ron Dante, Ellie Greenwich, Andy Kim, and Toni Wine Kim co-authored "Sugar, Sugar" with Jeff Barry, Greenwich's husband and longtime songwriting partner. For better or worse, "Sugar, Sugar" and the countless bubblegum records which came before and after didn't reflect their times, but rejected them - escapist fare at its purest and most palatable. With the Archies' "Sugar, Sugar," pop music moved 180 degrees away from the overtly political, consciousness-expanding aesthetic which emerged during the Summer of Love toward a calculated simplicity and innocence not heard since the years prior to the British Invasion. In fact, it wasn't even the work of a real band at all. In spite of (or, more likely, because of) the momentous cultural turning points which stretched across 1969 - among them, Woodstock, Vietnam, the moon landing, and the beginning of the Nixon presidency - the biggest-selling pop single of the year was not the product of a generational torch bearer like the Beatles, the Rolling Stones, or Bob Dylan.
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